Last edited by Vudolabar
Sunday, August 2, 2020 | History

2 edition of Modal counterpoint in the style of the sixteenth century found in the catalog.

Modal counterpoint in the style of the sixteenth century

Ernst Krenek

Modal counterpoint in the style of the sixteenth century

outline

by Ernst Krenek

  • 3 Want to read
  • 14 Currently reading

Published by Boosey & Hawkes in Lynbrock, NY .
Written in English

    Subjects:
  • Counterpoint.

  • Edition Notes

    3

    Statementby Ernst Krenek.
    Classifications
    LC ClassificationsMT55.K87 M6
    The Physical Object
    Pagination21 p.
    Number of Pages21
    ID Numbers
    Open LibraryOL21091489M
    LC Control Number59-45012

    Schoenberg's cantus firmi are strange, being so obviously derived from common practice music principles. If you need any more, Jeppesen's book, Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century, has four in the Ionian and four in the Aeolian, and the relevant pages are preview-able on Google Books - for me.   An exceptional text for undergraduate and graduate music students, Modal Counterpoint, Renaissance Style uses a wide variety of carefully graded exercises to present guidelines for writing and analyzing 16th-century music. The only species counterpoint text that draws directly on Renaissance treatises, it provides a conceptual framework to guide students through composition and /5(11).

    Modal counterpoint in the style of the sixteenth century: outline / by Ernst Krenek. MT 55 K87 M6 Tonal counterpoint in the style of the eighteenth century: outline / by Ernst Krenek. modal counterpoint, th-century style. 1. Species I-V in two parts, using the Ecclesiastical modes, and cantus firmus for each example drawn from Gregorian Chant (2 examples each, as explained in class). 2. Free- or florid-style counterpoint in two parts, using text selected from Latin Mass movements or other sources: motets, antiphons, etc.

    Modal and Tonal Counterpoint: From Josquin to Stravinsky. New York: Schirmer/Cengage, Resources. BAIN MUSC Book Bibliography on WorldCat. Alvira, José Rodríguez. Teoria. The Polyphonic Vocal Style of the Sixteenth Century. Mineola, NY: Dover. Open Library is an open, editable library catalog, building towards a web page for every book ever published. Author of Music here and now, Exploring music, Jonny spielt auf, Modal counterpoint in the style of the sixteenth century, Ernst Krenek, Tonal counterpoint in the style of the eighteenth century, Johannes Ockeghem, Über neue Musik.


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Modal counterpoint in the style of the sixteenth century by Ernst Krenek Download PDF EPUB FB2

An exceptional text for undergraduate and graduate music students, Modal Counterpoint, Renaissance Style uses a wide variety of carefully graded exercises to present guidelines for writing and analyzing 16th-century music. The only species counterpoint text that draws directly on Renaissance treatises, it provides a conceptual framework to guide students through composition and analysis as it teaches /5(7).

: Modal Counterpoint in the Style of the Sixteenth Century (): Krenek, Ernst: BooksCited by: 4. Open Library is an open, editable library catalog, building towards a web page for every book ever published. Modal counterpoint in the style of the sixteenth century: outline.

by Ernst Krenek; 3 editions; First published in ; Subjects: Counterpoint. Genre/Form: History: Additional Physical Format: Online version: Krenek, Ernst, Modal counterpoint in the style of the sixteenth century.

Modal counterpoint in the style of the sixteenth century: outline / by Ernst Krenek. --Main Author: Krenek, Ernst, Language. Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century.

This classic introductory text focuses on the polyphonic vocal style perfected by Palestrina. Unlike many other texts, it maintains a careful balance between theoretical and practical problems, between historical and 4/5. An exceptional text for undergraduate and graduate music students, Modal Counterpoint, Renaissance Style uses a wide variety of carefully graded exercises to present guidelines for writing and analyzing 16th-century music.

The only species counterpoint text that draws directly on Renaissance treatises, it provides a conceptual framework to guide students through composition and analysis as it.

"The Craft of Modal Counterpoint" is the companion book to Benjamin's "The Craft of Tonal Counterpoint," recently republished in a second edition by Routledge. Modal counterpoint is the style of composition that was employed until the "tonal" revolution pioneered by Bach; it. Description An exceptional text for undergraduate and graduate music students, Modal Counterpoint, Renaissance Style uses a wide variety of carefully graded exercises to present guidelines for writing and analyzing 16th-century music.

Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century. This classic introductory text focuses on the polyphonic vocal style perfected by Palestrina. Unlike many other texts, it. Get this from a library. Modal counterpoint, Renaissance style. [Peter Schubert] -- Modal Counterpoint, Renaissance Style introduces the rules for writing and analysing 16th-century music through a wide variety of carefully graded exercises.

It begins with species counterpoint Modal Counterpoint in the Style of the Sixteenth Century avg rating — 0 ratings — published Want to Read saving 4/5. 27 “Gradus ad Parnassum” Exercises.

Mark Gotham. The previous chapter introduced Species Counterpoint, and the iconic pedagogical treatise on cantus firmus composition, Johann Joseph Fux’s Gradus ad Parnassum ().

This page provides the full cantus firmus exercises of that treatise so you try your hand are Species Counterpoint a la Fux. The method has little to do with 16th century style - that this is 16th century polyphony is a diversionary story for undergrads in a class with that of George Washington and the Cherry Tree.

There are two main points against it: (1) Species Counterpoint as a method is not a 16th century technique, but a 17th century technique/5(33).

Polyphony and Style: A Comparison of Examples From the Fourteenth to the Twentieth Centuries. PART TWO: COUNTERPOINT IN THE LATE RENAISSANCE (). Two-Part Counterpoint: Basic Principles of Sixteenth-Century Style. Two-Part Counterpoint: First and Second Species Counterpoint.

Two-Part Counterpoint: Third, Fourth, and Fifth /5(20). Modal Counterpoint in the Style of the 16th Century Prepared by Vaclav Nelhybel William Geib Musician and educator Vaclav Nelhybel designed this instructional introduction to modal 16th-century counterpoint to explain the principles of two- three- and four-part counterpoint to students.

An exceptional text for undergraduate and graduate music students, Modal Counterpoint, Renaissance Style uses a wide variety of carefully graded exercises to present guidelines for writing and analyzing 16th-century music. The only species counterpoint text that draws directly on Renaissance/5(8).

This classic introductory text focuses on the polyphonic vocal style perfected by Palestrina. Unlike many other texts, it maintains a careful balance between theoretical and practical problems, between historical and systematic methodology.

The result is an exceptionally useful resource, ideal for classroom use in teaching modal counterpoint. Description: "The Craft of Modal Counterpoint" is the companion book to Benjamin's "The Craft of Tonal Counterpoint," recently republished in a second edition by Routledge.

Modal counterpoint is the style of composition that was employed until the "tonal" revolution pioneered by Bach; it. The king of modal counterpoint books is Knud Jeppesen’s Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century, although it may not be the most accessible introduction to the subject (for that, you may want to try Green/Jones or Schubert).

You are on the right track in thinking that "sixteenth century counterpoint melody or modal based (as this answer suggests) and eighteenth century counterpoint harmony based." Music composition students will generally take a semester of Species Counterpoint which covers the 16th century practice and then take Counterpoint which covers the 18th.Modal Counterpoint for 21st Century Musicians.

We begin this semester's work with 5 exercises in writing modal counterpoint in two, three and four parts. The purpose of these exercises is NOT to become proficient in writing music in the style of the Renaissance.Read this book on Questia.

As suggested by the title, Dr. Jeppesen Counterpoint is a textbook on the polyphonic vocal style of the sixteenth century. But it is no ordinary textbook, because it maintains an unusually happy balance between theoretical and practical problems, between historical and .